Movie Review | 'Fixer: The Taking of Ajmal Naqshbandi'
Interpreter’s Fate in a Broken Afghanistan
By JEANNETTE CATSOULIS
“Fixer: The Taking of Ajmal Naqshbandi” is as unsettling and complex as the country it traverses.
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In a competition at the South by Southwest festival, film and television titles get the credit(s).
At the Oscars, Kathryn Bigelow reacts as her film “The Hurt Locker” wins an award while James Cameron, lower right, director of “Avatar,” looks on.
The Oscars telecast exposed an Academy of Motion Picture Arts and Sciences in identity crisis: the ceremony was big and commercial; the winners were small and arty.
“Fixer: The Taking of Ajmal Naqshbandi” is as unsettling and complex as the country it traverses.
Tim Burton’s “Alice in Wonderland” is busy, garish and periodically amusing.
The complaint accuses Variety of contractual breach, negligence and unfair business practices in connection with the film, “Iron Cross.”
Some fear a proposed change to a film incentive program would discriminate against productions with gay characters.
In such a move, Metro-Goldwyn-Mayer would be taken over by its creditors in exchange for debt forgiveness, people briefed on the matter said.
The Iraq war drama “The Hurt Locker” took home the Oscar for best picture, while its director, Kathryn Bigelow, became the first woman to win an Oscar for best director.
The team behind “The Cove” set up a sting operation at a restaurant that officials say served illegal whale meat.
The show business trade paper said “economic reality” dictated jobs cuts, eight in total.
James Cameron won’t have to share his “Avatar” profits with a Chinese writer who said the movie plagiarized his work.
The troubles of New York State government recall some of the Oscar-nominated films, like “Up in the Air” or “Inglourious Basterds.”
Can you tell which of these jokes came from Alec Baldwin and Steve Martin's Oscars patter, and which came from Paul Lynde's performance at a 1976 Dean Martin roast?
You can count on the Oscars for a night of epic glamour meant to pump adrenaline into viewers’ veins.
"The Cove" documents dolphin hunts in the village of Taiji, where about 2,000 such animals are killed for their meat each year.
Sunday’s Academy Awards ceremony was one enormous Hollywood stimulus package.
Very soon now, whatever suspense remains in this Oscar season will be over. Bullock or Streep? “Avatar” or “Hurt Locker”? All will be revealed. Will you be watching?
The hunger for 3-D pictures, a blockbuster publicity campaign and curiosity about a performance by Johnny Depp pushed “Alice in Wonderland” to No. 1 at the weekend box office.
Cablevision customers in the New York area faced the prospect of Oscar night without Channel 7, the Oscar channel, because of a contract dispute.
In “Our Family Wedding,” ethnic traditions add a fresh approach to the traditions of a movie genre.
The films of Bollywood are gaining more momentum, and interest, in the United States.
The Japanese actor Kiyoshi Atsumi played the character Tora-san in 48 films. Four of those films are arriving on DVD.
A. O. Scott looks back at James Cameron's 1986 film about a group of Marines landing on a planet infested with hostile alien creatures.
The opening credit sequence for “Up in the Air,” on DVD and Blu-ray March 9.
"The Hurt Locker," Jeff Bridges and Mo'Nique were among the winners at the 2010 Academy Awards.
Looks from the red carpet before the 82nd Academy Awards at the Kodak Theater in Los Angeles.
Clips of the acting nominees and best picture nominees for the 2010 Academy Awards.
Melena Ryzik reports from "Meet the Oscars," a public exhibit that brings Oscar statuettes to New York City.
“Its was a sort of brilliant modern French ‘Godfather’, tension-filled, great acting, with layers of story,” writes Mike L. in Washington.
This guide includes links to the original reviews from the archives of The New York Times.
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