Theater Review | 'Next Fall'
Leaps of Faith to Transcend Urban Angst
By BEN BRANTLEY
“Next Fall” is that genuine rara avis, a smart, sensitive and utterly contemporary New York comedy.
Ivan Alovisio, left, one of the actors in “The Demons,” directed by Peter Stein, right.
“The Demons,” a 12-hour production of a grim Dostoyevsky novel that will be performed only twice, may be the must-see show of the New York theater season.
“The Pacific,” a 10-part World War II mini-series that begins on Sunday on HBO, follows a Marine division through tropical battlegrounds that have since faded from the collective memory.
“Next Fall” is that genuine rara avis, a smart, sensitive and utterly contemporary New York comedy.
In “Green Zone,” action under pressure is a test and a revelation of character.
This retrospective of Otto Dix’s unforgiving art, the first show of its kind ever held in North America, is engrossing yet sadly flawed.
For the final week of his visit with the New York Philharmonic at Avery Fisher Hall, Riccardo Muti is conducting a peculiarly balanced program.
Perhaps the two books on Paul Taylor currently in preparation will finally reveal something about a choreographer who has worked hard to be inexplicable.
Layne Staley, the late front man for Alice in Chains, was not mentioned onstage during the band’s performance at Terminal 5 on Tuesday, but his absence was central.
With the opening of “Marina Abramovic: The Artist Is Present,” a long-building energy wave of performance art hits the Museum of Modern Art full force.
Valery Gergiev led the Mariinsky Theater Orchestra and chorus in a concert performance of Berlioz’s epic opera “Les Troyens” on Tuesday and Wednesday nights at Carnegie Hall.
A son’s arrest for murder leads to a parent’s crusade in “Mother.”
Many photographs in this absorbing show at the International Center of Photography set up poetic contrasts between the new and the old.
Kathryn Bigelow’s two-fisted win at the Academy Awards has helped dismantle stereotypes about what types of films women can and should direct.


On this week’s Popcast, a review of the new CD by Broken Bells, a collaboration between Dangermouse and James Mercer of the Shins, plus a preview of the bands and parties at this year’s SXSW festival.
American composers discuss the challenges of creating “classical” music in the 21st century.
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